PERFORMANCES
For a complete list, see C.V.
Upcoming Performances 2024
La Culebra — Premiere performance by the Youth Orchestra of San Antonio (YOSA) in conjunction with CASA, May 12, 2024 at the Tobin Center.
Spring Rounds — Performance on Iowa Composers Forum Festival, University of Iowa, April 21, 2024.
Ghosts — Performance at College Music Society Great Lakes Conference, University of Indianapolis, March 8, 2024. Tyler Carpenter, pannist.
Past Performances _____________________
Open Borders — Performance at Florida State University New Music Festival, February 1, 2024.
Grand Jeu — Performance by the Hippocrene Sax Quartet. University of Central Florida. January 9, 2024.
2023
Grand Jeu — Performance by ~Nois Saxophone Quartet. Fine Arts Series, Illinois College, Jacksonville, Illinois. November 19, 2023.
Shipwreck — Performance on the Society of Composers Region V Conference at Ohio University, Athens, OH. November 4, 2023. Bradley Naylor, conductor.
Grand Jeu — Performance by the Hippocrene Saxophone Quartet at the College Music Society National Conference, Miami, Florida, October 28, 2023.
Colors From a Changing Sky — Performance by Pei-I Wang on Engelbach-Hart Music Festival, Illinois College, October 27, 2023.
All in Golden Measure — Performance by the Jacksonville Symphony (Illinois). Garrett Allman, conductor. Rammelkamp Chapel, Illinois College, Jacksonville, Illinois. May 6, 2023.
Spring Rounds — Premiere performance by Hub New Music. Fine Arts Series at Illinois College, Jacksonville, Illinois. April 14, 2023.
Grand Jeu — Premiere performance by -Nois Saxophone Quartet at the 2023 International Arts Festival, University of the Incarnate Word, San Antonio. March 25, 2023.
Ghosts — Performed by pannist Tyler Carpenter (video performance) at the Composers Alliance of San Antonio House Concert (San Antonio), February 19, 2023.
Vanishing Perspectives — Performed by cellist Ovidiu Marinescu at Carnegie Hall (Weill Recital Hall) on Feb. 6, 2023.
2022
Ghosts — Premiere performance by pannist Tyler Carpenter. Engelbach-Hart Music Festival, Illinois College, Jacksonville, Illinois. November 12, 2022.
True Tango — Performance by pianist Carolyn True, University of Nebraska, Omaha. Strauss Performing Arts Center, November 12, 2022.
True Tango — Performance by pianist Carolyn True, Trinity University, San Antonio. October 25, 2022.
Open Borders — Performance by TEMPO, Cal State University, Northridge, October 2, 2022.
Shipwreck — Premiere performance by the San Francisco Choral Artists. Magen Solomon, director. June 5, 2022, San Francisco, St. Mark’s Lutheran Church. June 11, Palo Alto, St. Mark’s Episcopal Church, and June 12, Oakland, St. Paul’s Episcopal Church.
Stelae — Performance by the Music Wall Duo. Abigail Walsh, flute. Pei-Wang, piano. Composers Alliance of San Antonio Concert. University of the Incarnate Word, San Antonio. April 29, 2022.
Tik’u Chafe (Clap Your Hands) — Premiere performance by the San Francisco Choral Artists on a video concert, in lieu of live performance. Magen Solomon, director. March 25 to April 14, 2022.
Open Borders — Performance on Florida State University’s Festival of New Music, February 5, 2022. - CANCELLED. Program postponed due to Covid-19.
Vanishing Perspectives — Performed by cellist Ovidiu Marinescu at Carnegie Hall (Weill Recital Hall) on Feb. 2, 2022. - CANCELLED. This concert was postponed due to Covid-19.
2021
Stelae — Premiere performance by the Music Wall Duo. Abigail Walsh, flute. Pei-Wang, piano. Illinois College Fine Arts Series, Rammelkamp Chapel, Jacksonville, IL. November 20, 2021.
2020
Schizo-Scherzo — Virtual CASA Concert (recording from CD, Sentinels, Janáček Philharmonic with scrolling score). November 15, 2020. YouTube.
Shipwreck — San Francisco Choral Artists. Magen Solomon, director. St. Mark’s Episcopal Church and St. Paul’s Episcopal Church, San Francisco. June 13 and 14, 2020 – CANCELLED.
Shipwreck (SATB, 2020) — Premiered by the San Francisco Choral Artists. Magen Solomon, director. St. Mark’s Lutheran Church. June 7, 2020 – CANCELLED.
Lux aeterna (SATB, 2004) - Performed by the University of Texas at Arlington A Cappella Choir. Karen Kenaston-French, director. SCI National Conference at UTA, March 28, 2020. CANCELLED.
Tik’u Chaf (Clap Your Hands) — San Francisco Choral Artists. Magen Solomon, director. All Saints Episcopal Church and Temple Sinai, March 14 and 15, 2020. CANCELLED.
Tik’u Chaf (Clap Your Hands) (SATB, 2020) — Premiered by the San Francisco Choral Artists. Magen Solomon, director. Temple Sha-ar Zahav, San Francisco. March 8, 2020. CANCELLED.
At Toi Atrem (SATB, 2011) — Performed by the Dennison University Chamber Singers. Harris Ipock, director. Tutti Festival. March 5, 2020.
2019
Cradle Song (Dormi Jesu/ A Child’s Blessing) — Performed by the San Francisco Choral Artists. Magen Solomon, director. St. Paul’s Episcopal Church and St. Mark’s Episcopal Church, December 20 and 21, 2019.
Cradle Song (Dormi Jesu/ A Child’s Blessing) — Premiered by the San Francisco Choral Artists. Magen Solomon, director. St. Mark’s Lutheran Church. December 15, 2019.
At Toi Atrem — Performed by the Concert Choir at Eastern Illinois University. Richard Rossi, director. October 6 & 11, 2019.
Lux Caelestis choral cycle — Performed by the Cleveland Chamber Choir at the Cathedral of St. John the Evangelist in Cleveland, Ohio, and Saint Sebastian Church in Akron, Ohio. Scott MacPherson, director. November 8 & 10, 2019.
Open Borders (2018) — Performed by North/South Consonance at Christ and St. Stephen’s Church, New York City. June 4, 2019.
Open Borders — Performed by the Onix Ensemble at Indiana University. April 18, 2019.
Open Borders (Pierrot ensemble, 2018) — Premiered by the Onix Ensemble at Illinois College Fine Arts Series. April 14, 2019.
2018
BACH meets EsCHeR (orchestra, 2000) — Performed by the Jacksonville Symphony Orchestra. Matthew Halls, conductor. October 19–21, 2018.
Butterflies (solo piano, 2015) — University of Incarnate Word (Made in SA IV, CASA Concert). Pooja Rajaram, piano. May 20, 2018.
“At Toit Atrem” from Lux Caelestis (choir, 2010) — Performed at the College Music Society Great Lakes Regional Conference, Otterbein University. April 6, 2018.
Lake Effect (chamber ensemble, 2012) — Performed at the College Music Society Southwest Regional Conference, UNLV, Las Vegas. March 17, 2018.
2017
Three Pairs Suite (mixed sextet, 2009) — Performed at the Engelbach-Hart Music Festival, Illinois College Fine Arts Series, Illinois College. Timothy Kramer, conductor. October 26, 2017.
Mosaics (wind band) — Performed by the Las Vegas Academy of the Arts Wind Ensemble. John Seaton, director. October 10, 2017.
Lake Effect (sextet, 2013) — Performed by the Great Noise Ensemble at the West Fork New Music Festival, Fairmont University, West Virginia. September 8, 2017.
2016
Vanishing Perspectives (amplified cello) — Performed at Illinois College. Craig Hultgren, cello. November 17, 2016.
Vanishing Perspectives (amplified cello) — Performed by Marilyn DeOliveira, cellist, Third Angle Concert, Portland, Oregon. June 18, 2016.
The Pendulum Swings (mixed quintet, 2016) — Performed by Ensemble Mise-en. Moon Young Ha, conductor. April 5-10, 2016.
Red Note Music Festival, Illinois State University, April 5, 2016.
Illinois College, April 7, 2016.
University of Illinois, April 8, 2016.
Constellation Chicago, April 10, 2016.
Vanishing Perspectives (amplified cello) — Performed four times by Craig Hultgren, cello on tour. January–February, 2016.
St. Ambrose University, Davenport, Iowa, January 29, 2016.
Luther College, Decorah, Iowa, February 9, 2016.
Iowa Composers Forum, University of Iowa, February 20, 2016.
2015
“Yehi-Or” and “Pabhassara Sutta” from Lux Caelestis — Performed at the University of Florida, Gainsville at the national conference of the 50th anniversary of the Society of Composers, Inc. November 14, 2015.
Key Fragments — Performed at the University of Texas at San Antonio (CASA Concert). Gary Fair, clarinet. May 15, 2015.
“At Toi Atrem” and “Pabhassara Sutta” from Lux Caelestis — Performed by the San Francisco Choral Artists. Magen Solomon, conductor. March 21–29, 2015.
St. Mark’s Episcopal Church, Palo Alto
St. Mark’s Lutheran Church, San Francisco
St. Paul’s Episcopal Church, Oakland
Cycles and Myths — Performed by the SOLI Ensemble, San Antonio, First Baptist Church. February 22, 2015.
Butterflies (solo piano, 2015) — Premiere at University of Incarnate Word (CASA Concert). Helen Lou, piano. January 25, 2015
2014
Cycles and Myths (mixed quartet, 1996) — SOLI Ensemble at the Tobin Center Opening Concert, San Antonio, Texas. December 2, 2014.
December 1, 2014 Trinity University, San Antonio, Texas.
Vanishing Perspectives (amplified cello) — Performed at the Electronic Music Midwest Festival, Lewis University. Craig Hultgren, cello. October 18, 2014.
Vanishing Perspectives (amplified cello) — Performed at the Tulsa Arts Festival, Tulsa, Oklahoma. July 2014.
Lake Effect (chamber ensemble, 2012) — Performed at SUNY Potsdam, NY, College Music Society Regional Conference. April 4, 2014.
“Yehi-Or” and “Pabhassara Sutta” from Lux Caelestis — Performed at North Dakota State University, Fargo at the College Music Society Regional Conference. March 29, 2014.
“At Toi Atrem” from Lux Caelestis — Performed at the Society of Composers, Inc. National Conference, Ball State University, Indiana. February 21, 2014.
Etude Fantasy (organ, 1996) — Performed at the University of Iowa. February 15, 2014.
Lake Effect (chamber ensemble, 2012) — Performed at the University of Iowa (Iowa Composers Forum Concert). February 15, 2014.
Rituals (six brass and percussion, 2014) — Detroit Chamber Winds and Strings. H. Robert Reynolds, conductor. Premiere: Kirk in the Hills Church, Bloomfield Hills, Michigan. January 12, 2014.
2013
“At toi Atrem” (choir, 2011) from Lux Caelestis — University of Louisville New Music Festival. Kent Hatteberg, conductor. November 17, 2013.
Lake Effect, Vanishing Perspectives, and Firmament Etudes — Guest Composer at the Illinois Wesleyan New Music Festival. November 15–16, 2013.
Mosaics (wind band, 1999) — Performed by the Brevard College Wind Ensemble. Miller Asbill, conductor. November 7, 2013.
BACH Meets EsCHeR (orchestra, 2000) — Performed by the Iowa Orchestra in Iowa City, Iowa; Paramount Theater, Cedar Rapids, Iowa. October 11–12, 2013.
Lake Effect (mixed sextet, 2012) — Performed at the Boston New Music Initiative, Parma New Music Festival, Portsmouth, New Hampshire. August 16, 2013.
All in Golden Measure (orchestra, 2013) — Premiere, Garrett Allman, conductor. Written for the 50th Anniversary of the Jacksonville Symphony Orchestra, Jacksonville, Illinois. May 4, 2013.
TCAG (in honorarium CAGE) (choir, perc., piano, organ, 2013) — Premiere, Illinois College Concert Choir. Abby Musgrove, director. April 25, 2013.
"Yehi-or” and “Pabhassara Sutta” from Lux Caelestis — Performed by the San Antonio Chamber Choir, ACDA National Conference, Dallas. Scott MacPherson, conductor. March 16, 2013.
Party Favors (orchestra, 2007) — Performed at the Festival of New Music at Florida State University. Alexander Jimenez, conductor. February 2, 2013.
2012
Mosaics (wind band, 1999) — Performed at the Wisconsin Music Educators Association, University of Wisconsin, Milwaukee. John Climer, conductor. October 25, 2012.
Key Fragments (clarinet, 2008) — Performed at the University of West Georgia. Marianne Breneman, clarinet. October 15, 2012.
Vanishing Perspectives (amplified cello) — Performed at the Iowa Composers Forum 25th Anniversary Celebration. Andrew Stern, cello. October 6, 2012.
Colors from a Changing Sky (solo piano, 1994) — Performed five times by John Krebs (Hendrix College) on tour at Illinois College, Concordia University, Cornell College, Drake University, and Luther College. September 19–30, 2012.
Lux Caelestis (choral cycle, 2011) — Performed by the Isthmus Vocal Ensemble at Luther Memorial Church, Madison, Wisconsin. Scott MacPherson, conductor. August 3 & 5, 2012.
Lake Effect (mixed sextet, 2012) — Premiered at Utah Arts Festival, Salt Lake City. Andrew Rindfleisch, conductor. June 23, 2012.
Lux Aeterna — Performed at the Red Note Music Festival, Illinois State University. Karyl Carlson, conductor. March 22, 2012.
Meditation (Noël Nouvelet) — Performed at the Iowa Composers Forum, Luther College, Decorah, IA. Michael Penning, organ. February 5, 2012.
Key Fragments — Performed at the Iowa Composers Forum, Luther College, Decorah, Iowa. Michael Chesher, clarinet. February 4, 2012.
2011
Three Pairs Suite — Performed by the Ars Nova Ensemble at the Dallas Festival of Modern Music. November 5 & 6, 2011.
Cycles and Myths (mixed quartet, 1996) — Performed by the SOLI Ensemble at the Illinois College Fine Arts Series. October 21, 2011.
Key Fragments — Performed at the Illinois College Fine Arts Series. Stephanie Key, clarinet. October 21, 2011.
Mosaics — Performed at the Wind Ensemble Fall Concert, University of Wisconsin, Milwaukee. October 7, 2011.
Lux Caelestis — Performed at the Basilica of the Little Flower, San Antonio, Texas. May 22, 2011.
Lux Caelestis (unaccompanied choir, 2011) — Premiere by the San Antonio Chamber Choir at Mission Concepcion. Scott MacPherson, conductor. May 21, 2011.
Lux aeterna — Performed by the Seraphim Singers, Boston New Music Initiative, St. John's Episcopal Church. Kristin Volness, director. May 21, 2011.
Key Fragments (clarinet, 2008) — Performed at the Sounds New Concert at UU Church, Berkeley, California. March 20, 2011.
Mosaics (wind band, 1999) — Performed by the NKU Symphonic Winds at the NewNowNorse Music Festival. March 19, 2011.
Key Fragments (clarinet, 2008) — Performed at the NewNowNorse Music Festival, North Kentucky University. March 18, 2011.
Lux aeterna — Performed by the Magnum Chorum at the University of St. Thomas, St. Paul, Minnesota. Christopher Aspaas, director. February 26, 2011.
2010
Etude Fantasy (on a Theme for Madame Duruflé) (organ, 1995) — Performed at the 4th Annual Kentucky New Music Festival, University of Kentucky. Clif Cason, organist. October 24, 2010.
True Tango (piano solo, 1998) — Performed at the College Music Society National Conference, Marriott City Center, Minneapolis. Chindarat Charoenwongse-Shaw, piano. September 25, 2010.
Lux aeterna (choir, 2004) — Performed by the Magnum Chorum at the College Music Society National Conference, St. Olaf Catholic Church, Minneapolis. Christopher Aspaas, conductor. September 24, 2010.
Three Pairs Suite (mixed sextet, 2009) — Performed at the Cactus Pear Music Festival, San Antonio. Stephanie Sant’Ambrogio, artistic director. July 15, 2010.
Mimetic Variations (wind octet, 1998) — Performed by the University of Southern California Wind Ensemble, Los Angeles. H. Robert Reynolds, conductor. March 28, 2010.
Key Fragments (clarinet, 2008) — Performed at the SCI Regional Conference, Kansas State University, Manhattan, KS. Tod Kerstetter, clarinet. March 26, 2010.
Key Fragments (clarinet, 2008) — Performed at the CMS Regional Conference, University of Texas, San Antonio. Stephanie Key, clarinet. March 13, 2010.
Cycles and Myths (mixed quartet, 1996) — Performed by the SOLI Ensemble, Blue Star Art Complex, San Antonio. March 11, 2010.
Key Fragments (solo clarinet, 1996) — Performed by the SOLI Ensemble, Blue Star Art Complex, San Antonio. Stephanie Key, clarinet
Key Fragments (solo clarinet, 2008) — Performed at the Faculty Recital, University of Central Missouri, Warrensburg, MO. James Gai, clarinet. March 10, 2010.
Cycles and Myths (mixed quartet, 1996) — Performed by the SOLI Ensemble at Trinity University, San Antonio. March 9, 2010.
Key Fragments (solo clarinet, 2008) — Performed by the SOLI Ensemble at Trinity University, San Antonio. Stephanie Key, clarinet
Cycles and Myths (mixed quartet, 1996) — Performed by the SOLI Ensemble at the Gallery Nord, San Antonio. March 8, 2010.
Key Fragments (solo clarinet, 2008) — Performed by the SOLI Ensemble at the Gallery Nord, San Antonio. Stephanie Key, clarinet
Vanishing Perspectives — Performed at St. Olaf College, Northfield, Minnesota. Craig Hultgren, cello. February 22, 2010.
Key Fragments (solo clarinet, 2008) — Performed at the New Music Festival, University of Nebraska at Kearney. Jan Harriet, clarinet. February 16, 2010.